{"id":5,"date":"2009-02-17T19:59:39","date_gmt":"2009-02-17T09:59:39","guid":{"rendered":"http:\/\/x37v.com\/x37v\/?page_id=5"},"modified":"2021-12-06T11:05:56","modified_gmt":"2021-12-06T00:05:56","slug":"research","status":"publish","type":"page","link":"https:\/\/x37v.com\/x37v\/research\/","title":{"rendered":"Research"},"content":{"rendered":"<p>In 2007, I finished a Masters (Research) thesis analysing and attempting to recreate what I considered to be key features in selected Autechre tracks ranging from their albums\/EPs between 1998 and 2005. The thesis itself was a sneaky way to motivate myself to learn how to use <a href=\"https:\/\/cycling74.com\">Max<\/a> and other music software. I used to be reluctant to share it (and still don\u2019t have it up for public download), because <em>a)<\/em> I didn\u2019t think it did justice to Autechre\u2019s work, and <em>b)<\/em> Sean Booth had said in a few interviews that he disliked people reading \u2018meaning\u2019 into their work, or proffering how they did stuff (see\u00a0<em><a href=\"https:\/\/web.archive.org\/web\/20030811104733\/https:\/\/www.sas.upenn.edu\/~reynolda\/music_ae_092801.html\">interview with Alex Reynolds<\/a><\/em>). \u00a0I was quite \u2018green\u2019 when I wrote this \u2014 learning as I went along \u2014 and it was focusing on a relatively narrow period of their work, which is likely to be largely different to how they might work creatively today. I was trying to draw out recurring characteristics in Autechre\u2019s music from this time and theorise how certain things might have been done, or could be replicated. A selection of audio tracks that resulted from this research can be found here:<\/p>\n<p><a href=\"https:\/\/x37v.com\/Masters\/\">https:\/\/x37v.com\/Masters\/<\/a><\/p>\n<p>In 2018, I completed a PhD on Hanna-Barbera&#8217;s television cartoon soundtracks of the 1960s and 1970s.<\/p>\n<h2>Publications<\/h2>\n<p>See <a href=\"https:\/\/x37v.com\/x37v\/resume\/\">R\u00e9sum\u00e9<\/a>.<\/p>\n<p><!--Live granular synthesis with interpolated delay lines Papers presented NoMuTe October 2006 Trondheim, Norway Contributed to Adrian Freed Phil Hayward Web designer for Shima, SICRI etc--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2007, I finished a Masters (Research) thesis analysing and attempting to recreate what I considered to be key features in selected Autechre tracks ranging from their albums\/EPs between 1998 and 2005. The thesis itself was a sneaky way to motivate myself to learn how to use Max and other music software. I used to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-5","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P4SgL0-5","_links":{"self":[{"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/pages\/5","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/comments?post=5"}],"version-history":[{"count":12,"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/pages\/5\/revisions"}],"predecessor-version":[{"id":641,"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/pages\/5\/revisions\/641"}],"wp:attachment":[{"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/media?parent=5"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}