{"id":3,"date":"2009-02-17T17:39:18","date_gmt":"2009-02-17T07:39:18","guid":{"rendered":"http:\/\/x37v.com\/x37v\/?page_id=3"},"modified":"2024-04-08T13:25:11","modified_gmt":"2024-04-08T03:25:11","slug":"resume","status":"publish","type":"page","link":"https:\/\/x37v.com\/x37v\/resume\/","title":{"rendered":"R\u00e9sum\u00e9"},"content":{"rendered":"\n<p>Hello. My name is Alex Mesker. I&#8217;m an associate lecturer in the <a rel=\"noreferrer noopener\" href=\"https:\/\/www.mq.edu.au\/faculty-of-arts\/departments-and-schools\/department-of-media-communications-creative-arts-language-and-literature\/about-us\" data-type=\"URL\" data-id=\"https:\/\/www.mq.edu.au\/faculty-of-arts\/departments-and-schools\/department-of-media-communications-creative-arts-language-and-literature\/about-us\" target=\"_blank\">Department of Media, Communications, Creative Arts, Language, and Literature<\/a> (Macquarie University, Sydney, Australia), where I teach in the fields of interactive media, creative coding, and front-end web development.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"background\">Background<\/h2>\n\n\n\n<p>I have been at Macquarie University since 1998 (initially as a student, undertaking a BA in Contemporary Music Studies) and began working as a teacher in the Department of Contemporary Music Studies in 2002 (when I started a Masters Degree in electronic music production). At this time, I also worked as music technician (2002\u20132009) for the Department managing the computer labs. In 2009, I shifted my focus back into teaching when I undertook a PhD (completed in 2018).<\/p>\n\n\n\n<p>I spent my early years teaching disparate fields music production and &#8216;multimedia&#8217; before everything began to coalesce into what I teach today. Most of my work now revolves around the use of <a rel=\"noreferrer noopener\" href=\"https:\/\/cycling74.com\" target=\"_blank\">Max<\/a>, teaching creative coding strategies to media and creative arts students.<\/p>\n\n\n\n<p>Max is an unknown environment to a majority of my students, and consequently my teaching serves to introduce computational arts ideas\u2014and technologised play\u2014to students from non-programming backgrounds. Given the broad nature of the department, the units I teach cater to students from a variety of backgrounds of study, and Max functions as a central hub to connect previously disparate fields of sound design, music production, screen production, motion\/image\/3D design, and human-computer interaction.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"teaching-experience\">Teaching Experience<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>MMCC3023: Interactive and Digital Arts (2017\u2013present) [convenor, lecturer, tutor]<\/li>\n\n\n\n<li>MMCC8097\/ICOM897: Interactive Media Arts (2012\u2013present) [convenor, lecturer, tutor]<\/li>\n\n\n\n<li>MMCC2039: Principles of Web Design (2024\u2013present) [convenor, lecturer, tutor]<\/li>\n\n\n\n<li>MMCC2041: Interactive Web Design (2017\u2013present) [tutor, practical tutor]<\/li>\n\n\n\n<li>MMCC2140\/MAS240: Cybercultures (2009\u20132023) [tutor, practical tutor]<\/li>\n\n\n\n<li>MUS302: Sound, Image, and Interactive Media (2002\u20132017) [convenor, lecturer, tutor]<\/li>\n\n\n\n<li>MAS380: Advanced Audio and Sound Design (2009\u20132012) [guest lecturer]<\/li>\n\n\n\n<li>MUS211: Digital Rhythms and Dance Music Cultures (2003\u20132006) [tutor, guest lecturer]<\/li>\n\n\n\n<li>MUS202: Introduction to Music Technique (2005\/2018) [lecturer\/tutor]<\/li>\n\n\n\n<li>MUS203: The Virtual Studio and Music Technology (2005) [lecturer\/tutor]<\/li>\n\n\n\n<li>MAS213: Screen Production 2 (2011\u20132012) [guest lecturer: foley, film sound, sound design]<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Other Teaching Experience<\/h2>\n\n\n\n<p>I am an avid Max user and <a href=\"https:\/\/cycling74.com\/certified-trainers\" data-type=\"URL\" data-id=\"https:\/\/cycling74.com\/certified-trainers\" target=\"_blank\" rel=\"noreferrer noopener\">Max Certified Trainer<\/a>.<img loading=\"lazy\" decoding=\"async\" width=\"3060\" height=\"1350\" class=\"wp-image-835\" style=\"width: 150px; float: right; vertical-align: bottom;\" src=\"https:\/\/x37v.com\/x37v\/wp-content\/uploads\/2024\/04\/MaxCertifiedTrainer-2021-dark.png\" alt=\"Max Certified Trainer\" srcset=\"https:\/\/x37v.com\/x37v\/wp-content\/uploads\/2024\/04\/MaxCertifiedTrainer-2021-dark.png 3060w, https:\/\/x37v.com\/x37v\/wp-content\/uploads\/2024\/04\/MaxCertifiedTrainer-2021-dark-300x132.png 300w, https:\/\/x37v.com\/x37v\/wp-content\/uploads\/2024\/04\/MaxCertifiedTrainer-2021-dark-1024x452.png 1024w, https:\/\/x37v.com\/x37v\/wp-content\/uploads\/2024\/04\/MaxCertifiedTrainer-2021-dark-768x339.png 768w, https:\/\/x37v.com\/x37v\/wp-content\/uploads\/2024\/04\/MaxCertifiedTrainer-2021-dark-1536x678.png 1536w, https:\/\/x37v.com\/x37v\/wp-content\/uploads\/2024\/04\/MaxCertifiedTrainer-2021-dark-2048x904.png 2048w, https:\/\/x37v.com\/x37v\/wp-content\/uploads\/2024\/04\/MaxCertifiedTrainer-2021-dark-620x274.png 620w\" sizes=\"auto, (max-width: 3060px) 100vw, 3060px\" \/><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"education-and-qualifications\">Education and Qualifications<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>PhD (September 2018)<br>Macquarie University<br><em>The Limited Soundtrack: Sound and Music of Hanna-Barbera&#8217;s Cartoons from 1957\u20131973.<\/em><\/li>\n\n\n\n<li>MA Research (November 2007)<br>Macquarie University<br><em>Analysis and Recreation of Key Features in Selected Autechre Tracks from 1998-2005<\/em>.<br>[+ Supplementary creative audio component: <a href=\"https:\/\/x37v.com\/Masters\/\">https:\/\/x37v.com\/Masters\/<\/a>]<\/li>\n\n\n\n<li>Max\/MSP\/Jitter Day and Night School (2005)<br>Center for New Music and Audio Technologies<\/li>\n\n\n\n<li>BA [Contemporary Music Studies] (September 2001)<br>Macquarie University<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"research-profiles\">Research Profiles<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Institutional Research Profile: <a rel=\"noreferrer noopener\" href=\"https:\/\/researchers.mq.edu.au\/en\/persons\/alex-mesker\" target=\"_blank\">https:\/\/researchers.mq.edu.au\/en\/persons\/alex-mesker<\/a><\/li>\n\n\n\n<li>Google Scholar: <a rel=\"noreferrer noopener\" href=\"https:\/\/scholar.google.com.au\/citations?user=lft69FAAAAAJ&amp;hl=en\" target=\"_blank\">https:\/\/scholar.google.com.au\/citations?user=lft69FAAAAAJ&amp;hl=en<\/a><\/li>\n\n\n\n<li>ORCID: <a rel=\"noreferrer noopener\" href=\"https:\/\/orcid.org\/0000-0001-8952-1221\" target=\"_blank\">https:\/\/orcid.org\/0000-0001-8952-1221<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"publications\">Publications<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/slave-to-the-rithm-the-ai-turn-in-the-music-industries\">Slave to the &#8216;rithm: the AI turn in the music industries<\/a><br>Keith, S., Collins, S., Renzo, A. &amp; Mesker, A., 2023, <em>AI and the future of creative work: algorithms and society<\/em>. Filimowicz, M. (ed.). London ; New York: Routledge, Taylor and Francis Group, p. 36-54 19 p. (Algorithms and Society; vol. 9).<\/li>\n\n\n\n<li><a href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/industry-standard-technocapitalist-depictions-of-music-production\" data-type=\"URL\" data-id=\"https:\/\/researchers.mq.edu.au\/en\/publications\/industry-standard-technocapitalist-depictions-of-music-production\" target=\"_blank\" rel=\"noreferrer noopener\">Industry standard? Technocapitalist depictions of music production<\/a><br>Keith, S., Collins, S., Renzo, A. &amp; Mesker, A., 21 Jun 2022, In: <em>Creative Industries Journal<\/em>.<\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/mastering-20-the-real-or-perceived-threat-of-diy-mastering-and-au\" data-type=\"URL\" data-id=\"https:\/\/researchers.mq.edu.au\/en\/publications\/mastering-20-the-real-or-perceived-threat-of-diy-mastering-and-au\" target=\"_blank\">Mastering 2.0: the real or perceived threat of DIY mastering and automated mastering systems<\/a><br>Collins, S., Renzo, A., Keith, S. &amp; Mesker, A., 2021, In: <em>Popular Music and Society<\/em>. 44, 3, p. 258-273 16 p.<\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/transformations-and-continuities-in-the-mastering-sector\" data-type=\"URL\" data-id=\"https:\/\/researchers.mq.edu.au\/en\/publications\/transformations-and-continuities-in-the-mastering-sector\" target=\"_blank\">Transformations and continuities in the mastering sector<\/a><br>Collins, S., Renzo, A., Keith, S. &amp; Mesker, A., 2021, <em>Mastering in music<\/em>. Braddock, J. P., Hepworth-Sawyer, R., Hodgson, J., Shelvock, M. &amp; Toulson, R. (eds.). London ; New York: Routledge, Taylor and Francis Group, p. 249-263 15 p. (Perspectives on Music Production).<\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/ghost-singers-the-singing-voice-in-korean-pop-cinema\" data-type=\"URL\" data-id=\"https:\/\/researchers.mq.edu.au\/en\/publications\/ghost-singers-the-singing-voice-in-korean-pop-cinema\" target=\"_blank\">Ghost singers: the singing voice in Korean pop cinema<\/a><br>Keith, S. &amp; Mesker, A., 2020, <em>The singing voice in contemporary cinema<\/em>. Hughes, D. &amp; Evans, M. (eds.). South Yorkshire: Equinox Publishing, p. 73-88 16 p. (Genre, Music and Sound).<\/li>\n\n\n\n<li><a href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/through-an-ale-glass-palely-mermen-neptuneposeidon-and-tritons-as\" data-type=\"URL\" data-id=\"https:\/\/researchers.mq.edu.au\/en\/publications\/through-an-ale-glass-palely-mermen-neptuneposeidon-and-tritons-as\" target=\"_blank\" rel=\"noreferrer noopener\">Through an ale glass, palely: mermen, Neptune\/Poseidon and Tritons as motifs in beer brands and product labels<\/a><br>Mesker, A., 2019, In: Coolabah. 27, p. 106-135 30 p., 8.<\/li>\n\n\n\n<li><a href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/time-warp-sonic-retro-futurism-in-the-jetsons\">Time warp: sonic retro-futurism in the Jetsons<\/a><br>Coyle, R. &amp;&nbsp;Mesker, A.,&nbsp;2013,&nbsp;<em>Music in Science Fiction Television.<\/em>&nbsp;Donnelly, K. J. &amp; Hayward, P. (eds.). New York:&nbsp;<a href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/?search=mesker&amp;pageSize=25&amp;showAdvanced=false&amp;allConcepts=true&amp;inferConcepts=true&amp;searchBy=PartOfNameOrTitle&amp;format=&amp;ordering=publicationYearThenTitle&amp;descending=true#\">Taylor &amp; Francis<\/a>,&nbsp;p. 54-89&nbsp;36 p.<\/li>\n\n\n\n<li><a href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/osync-cross-application-performance-synchronisation-of-beat-drive\">OSynC: cross-application performance synchronisation of beat-driven musics<\/a><br>Mesker, A. &amp; Keith, S., 2012, Proceedings of Australasian Computer Music Conference 2012. Brisbane: Griffith Conservatorium, p. 1-6 6 p. [<a href=\"https:\/\/x37v.com\/x37v\/wp-content\/uploads\/2024\/04\/OSynC_ACMC2012_Mesker_Keith.pdf\" data-type=\"attachment\" data-id=\"832\">PDF<\/a>]<\/li>\n\n\n\n<li><a href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/musical-applications-and-design-techniques-for-the-gametrak-tethe\">Musical applications and design techniques for the gametrak tethered spatial position controller<\/a><br>Freed, A., Mccutchen, D., Schmeder, A., Skriver, A. M., Dan Overholt, H., Burleson, W., Jensen, C. N. &amp;&nbsp;Mesker, A.,&nbsp;2009,&nbsp;<em>Proceedings of the 6th Sound and Music Computing Conference, SMC 2009.<\/em>&nbsp;Gouyon, F., Barbosa, A. &amp; Serra, X. (eds.). Porto:&nbsp;Sound and music Computing network,&nbsp;p. 189-194&nbsp;6 p.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"creative-works\">Creative Works<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/researchers.mq.edu.au\/en\/publications\/schr%C3%B6dingers-string\">Schr\u00f6dinger&#8217;s String<\/a><br>Mesker, A.,&nbsp;21 Oct 2015. <em>In the Loop: Feeding the Polyphonic Present<\/em>, Macquarie University Art Gallery, Sydney Australia.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"web-design-layout-publishing\">Web, Design, Layout, Publishing<\/h2>\n\n\n\n<p>I love HTML, CSS, and JavaScript. In my spare time I work as a freelance front-end web developer (which typically involves design implementation and interface design). In addition, I provide editing\/layout\/publication services for peer-reviewed open-access academic journals.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hello. My name is Alex Mesker. I&#8217;m an associate lecturer in the Department of Media, Communications, Creative Arts, Language, and Literature (Macquarie University, Sydney, Australia), where I teach in the fields of interactive media, creative coding, and front-end web development. Background I have been at Macquarie University since 1998 (initially as a student, undertaking a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-3","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P4SgL0-3","_links":{"self":[{"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/pages\/3","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/comments?post=3"}],"version-history":[{"count":21,"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/pages\/3\/revisions"}],"predecessor-version":[{"id":838,"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/pages\/3\/revisions\/838"}],"wp:attachment":[{"href":"https:\/\/x37v.com\/x37v\/wp-json\/wp\/v2\/media?parent=3"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}